Watch The Dare’s failed try at crowdsurfing throughout Bristol gig

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The Dare took a tough fall whereas trying to crowdsurf throughout a latest present in Bristol – take a look at footage of the second under. Over the weekend (March 16), The Dare – actual identify Harrison Patrick Smith – took over the Marble Manufacturing unit in Bristol for a live performance. On the finish of the present, whereas performing ‘Women’, Smith walked over to the barricade and with out warning dove into the viewers. Unprepared, the viewers – who video footage depicts as principally girls – instantly dropped the musician and stood round shocked but in addition laughing at what had occurred. The Dare stored the present going although, as he continued singing whereas making a fast restoration to take a seat on the barricade. Take a look at footage of the autumn under. THE DARE takes a tumble in Bristol final night time ???? pic.twitter.com/lJPvdPdhuC — MR. MIZUNDERSTOOD (@MR_CAMARADERIE) March 18, 2025 The Dare is because of shut out his ongoing UK tour with three extra reveals – he’s taking part in in Manchester tonight, Glasgow on the twenty first and in London on the twenty second – so right here’s hoping he has higher luck with crowdsurfing at these reveals. Find any remaining tickets here. Later within the 12 months, The Dare is because of return to Europe, the place he’s be acting at LIDO Pageant for Charli XCX’s curated line-up in June, after which at Studying and Leeds in August. The Dare recorded ‘What’s Fallacious With New York?’ over the past 12 months between his residence and his studio in New York. It options his big lead single ‘Women’, in addition to different singles together with ‘You’re Invited,’ ‘Fragrance’ and ‘Good Time.’ The Dare, Harrison Patrick Smith, in 2024. CREDIT: Nina Westervelt/WWD by way of Getty Pictures ‘What’s Fallacious With New York?’ was given a three-star evaluation by NME, with Jordan Bassett writing: “It’s tempting to inform Smith that Murphy needs his shtick again (alongside along with his go well with), however the pastiche is usually efficient, not less than.” “His defiantly dumb breakthrough monitor ‘Women’ is among the finest singles of 2006 and ‘Motion’ builds to a crunching, multi-layered cacophony that demonstrates higher musical sophistication than he’s usually given credit score for,” it added. “Nonetheless, there’s one thing just a little miserable about music that’s this nakedly backwards-facing. Beneath the hedonism, anxiousness thrums via ‘What’s Fallacious with New York?’ – therefore, maybe, Smith’s dream of his tooth falling out – and he’s clearly captured a want to return to a time earlier than Covid, earlier than pretend information, earlier than bots and pile-ons and knowledge overload. However you’d be higher off simply listening to LCD.”
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